University Theatre
Auditions


AUDITIONS FOR 2011-2012 SEASON

SEE AUDITIONING TIPS AND TRICKS

Audition dates: All auditions are at 7 pm

 

CAST DESCRIPTIONS FOR ALL 2011-2012 SHOWS


AUDITION ORIENTATIONS

Audition orientation is at Thompson Hall on Tuesday January 24 at 7 pm.

AUDITIONS: The Arabian Nights - Wednesday and Thursday, January 25 & 26 in the Studio Theatre at 7pm

 

Perusal scripts are available in Thompson Hall at the front counter and at Stewart Theatre offices in 1200 Talley. Scripts must be read in the building.

 

SIDES FOR THE ARABIAN NIGHTS

#1 Wazir/Shahryar/Scheherezade/Dunyazade

#2 Madman/slave Girl/Perfect Love

#3 SypathyHarun al-Rashid

#4 Butcher

#5 Persian/Kurd/Kadi

#6 Mock Kalifah/Harun al Rashid/Jafar

#7 Aziz/Azizah

#8 Ishak/Sheikh

#9 Shahryar/Scheherezade

 

Auditions Wednesday and Thursday January 25 and 26 at 7 pm in Thompson Hall. This show is going to be a lot of fun to produce, it has everything: mystery, music, dance, exotic locations and sometimes even slightly naughty stories. Not your kid sister's Disney version! (check out this Youtube video of one production, as an example) REHEARSALS BEGIN IN FEBRUARY

Do you play drum circle-type percussion or flute type instruments, or perhaps even the zither, saz, oud, harmonium, or think you could work with some simple tunes? Come and see how you can be a part of the show! Here's more about the show:

 

The Arabian Nights
Adapted by Mary Zimmerman
Thursday April 12-Sunday April 15, Wednesday April 18-Sunday April 22, Titmus Theatre
Evening shows at 7:30 pm, Sunday matinee at 2 pm

First written down somewhere around Syria and Egypt in the tenth century, The Arabian Nights have been translated and adapted numerous times over the last millennium. Scheherezade’s predicament frames the storytelling that begins when The King walks in on his wife passionately embracing another man. To be certain he will never be betrayed again, the King marries a new woman every night and kills her the next morning. When it is Scheherezade’s turn, she devises a clever plan to save herself and the other girls. Each night, she tells the King a story, a series of magical tales, stopping at the critical moment of the story. The King must wait to learn the resolution, thus sparing the gifted storyteller to weave the tales another day. But she must keep the king interested, or she will forfeit her life. Always on the edge of danger, Scheherezade unfolds her stories, each more wondrous than the last, with action and adventure, humor, and sometimes even a touch of naughty. Some adult themes.