Email 1
Accra: The Shangri-La
Accra: Museums
Accra: Batik and Coffins
Accra: The City
> Somanya: Bead Village
Ho: Palm Wine
The Pottery Village
The Kente Village
Akosombo: The Volta & Cocoa
Kumasi: Wood Carvers & Adinkra Stamping
Email 2
Kumasi: The Market
Nankese: A Village in Need
Kumasi: The Brass Village
Kumasi: Fusini's Birthday
Nkawkaw: Mr. Omari's Village
Email 3
Kumasi: Witchcraft & the Asafo
Cape Coast: Slave River
Kakum Rain Forest - The Rope Bridge(s)
Elmina Castle
Cape Coast: A Fishing Town
Accra: Our last days

The village chief sits fourth from the right. To his right (our left) sits his lingust, who holds the linguists staff. Staffs are beautifully carved, with a figure at the top covered in gold that depicts a scene from a proverb that represents the chief's and the villages beliefs.
Off to Ho with a Stop at the Bead Village in Somanya

We left Accra and headed for Ho on the next day. Ho is on the east side of Ghana, about 1/3 of the way up. On the way to Ho we stopped off at a bead making village called Somanya. We had learned at our first class in Accra that it is customary when you arrive in a village to always greet the chief first, and you must state why you are visiting the village - your purpose. Though they were expecting us and knew why we had come, we still had to go through the process of stating our purpose, and they then welcomed us to the village. Charles Joyner, the professor leading our group, gave a gift of gin to the chief, as is the custom on greeting a chief. It is also custom here that they then share the gin with the guests, but they said since it was so hot (and it was!) that they would not do this.

We received a tour of the bead-making process, and then were able to make some purchases in a hut where they displayed the beads for sale. The villagers then treated us to dancing and music, and we even got to partake toward the end. The chief surprised us by honoring us with a special dance before we left.

This artist is preparing the beads for firing. Glass bottles are crushed and ground to a fine powder and separated by color. The powder is then poured into these ceramic molds, with a stick in the center of the hole for stringing. They're sent next to be fired. Several colors may be used in each mold to create beautiful designs. These gentlemen are firing the bead molds. After they are fired and the glass is still very warm, they move the glass balls around in the molds with a small stick to loosen them up and make sure the hole for stringing hasn't closed.
When the beads cool they are passed on to this gentleman for polishing. He uses fine sand and water and moves the beads around together with his hands on this smooth stone for about 20 minutes. The beads are then either strung and sold, or further decorated by this gentleman using colored glass.
Here three women from the village are dancing. Beads are a direct reflection of status in their village, as these three women are from the royal family. Most of the dancing we saw in Ghana told a story. This dance was about working hard together and taking care of each other.

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