Definitions

LPI
Lines per inch; reserved for the number of lines in a screen of a printed image; determined by the maximum resolution of the press on which the page is being printed;
photocopy 65 LPI
newspaper 85 LPI
yearbook 133 LPI

Agromeck 150 LPI
Nubian Message 85 LPI
Technician 85 LPI


DPI
Dots per inch; reserved for the number of dots available in output of a laser printer or other output device
laser printer 600 DPI
imagesetter 2400 DPI

PPI
Pixels per inch; the number of “picture elements” in an image as it appears on the screen
Web page 72 PPI
photocopy 130 PPI
newspaper 170 PPI
yearbook 266 PPI

FORMULAS

The maximum resolution
of a printer
10% * DPI = LPI

Example: A 600 DPI printer can output a maximum of 60 LPI (600 * 10%) and still retain all 256 levels of gray

Number of pixels needed
in an image at actual size
LPI * 2 = PPI

Example : A photograph to be reproduced at 85 LPI must be scanned at 170 PPI (85 * 2) to avoid pixelation.

Enlargement/Reduction
LPI * % enlargement/reduction * 2 = PPI

Example : A photograph to be reproduced at 85 LPI and enlarged 150% must be scanned at 255 PPI (85 * 150% * 2) to avoid pixelation

This article was originally printed in the winter 2000 issue of JEA's magazine Communication: Journalism Education Today.

Why you can't just enlarge a digital photo
by Bradley Wilson


At the time a photograph is scanned (or otherwise digitized), the amount of digital information in that image is fixed, based on the settings at the time of the scan. It will never contain any more information than at the time of capture.

Still, time after time, page designers try to enlarge photos beyond the original size resulting in a loss of quality. When a photo is enlarged in a page layout program, the pixelation (“jaggies”) becomes evident.

SCANNING INFORMATION
When scanned, an image has a set number of pixels per inch. In this example, the one-inch square “photo” has 64 pixels per inch. Half of the pixels are white, and half are black. If this photo is simply enlarged, all that the pagination software can do is enlarge the pixels making the photo look “pixelated.” If the photo is made smaller, the pixels move closer together, and the output device throws this extra information away. CLICK HERE for illustration of this point.

PHOTO CAPTION
Tom Malchow, who owns numerous swimming records, looks up as he points to the sky, Aug. 12, following his first place finish in the men's 200m butterfly, at the Indiana University Natatorium. Malchow finished in 1:56.87, and was under world record pace at one point. Indianapolis Star Photo by Rob Mattson.

The best procedure to follow is the same one page designers followed in the “old days.” Sketch out the page and decide the approximate size of the photograph and then digitize the image at that size with enough information to reproduce it clearly.
For example, if you know a photograph is going to be printed in a newspaper that uses a line screen of 85 lines per inch (information that you’ll have to obtain from your printer) and you know it’s going to be about 4 x 6 inches in size, you can scan it with that information in mind. Entering the appropriate size and resolution (85 * 2 = 170 PPI) into the scanner settings dialog box.

Of course, programs such as Photoshop will allow a user to resample an image – adding information where necessary to fill inthe gaps. The software will take the information that is available and extrapolate the necessary data. However, this data will only be a rough approximation of what was really there, and the photograph will look blurry at best.

Given that enlarging a photograph past 100 percent results in a loss of quality, some users prefer to scan images at a resolution and size higher than they could possibly use. For example, a newspaper photographer may scan a photograph at 300 PPI even when they know they’ll be using it at 170 PPI. Because the photograph contains much more information than necessary (300 pixels per inch instead of the required 170 PPI), the output device will ignore the extra information.
Some people are taught to scan everything at 300 PPI regardless of the output resolution or file size.

This uniform approach presents its own set of problems, not the least of which are slower operating speed and an increased chance for disk errors because the file size will be much larger than necessary. Larger files are slower and prone to error.

For example, a 3 x 5 inch photograph at 300PPI will occupy 1.29MB at 300 PPI but only 424KB at 170 PPI (about one-third of the disk space). The smaller file size results in faster operations and less chance for disk errors.

To expedite production when the final size is not known, it is always better to have more information than not enough. For example, if you know that a photo is going to be used on the news page but do not know the exact size, it is better to scan it a little larger than necesssary perhaps even at a higher resolution than necessary. Then, when the final size is determined, resample the image (down) in Photoshop.

For example, scan a 4 x 6 inch photograph at actual size (100%) for output at 133 LPI and it will occupy 1.63 MB. If you later decide that this same photo is going to be reproduced at 2 x 3 inches, go into Photoshop and, under Image/Image Size, make sure Constrain Proportions and Resample are turned on. This will keep the dimensions of the photo in proportion. The photo won’t look stretched. It will also force Photoshop to discard the unneeded data. Then type 2 inches in for width, and you will notice that the height changes proportionally. And the final size (at the top) changes from 1.63MB to 415KB, substantially smaller and more efficient.

TOP


ILLUSTRATION 1
EXERCISE 1
EXERCISE 2

© 2006 Bradley Wilson