The Arabian Nights
Adapted by Mary Zimmerman
Thursday April 12-Sunday April 15, Wednesday April 18-Sunday April 22, Titmus Theatre
Evening shows at 7:30 pm, Sunday matinee at 2 pm
First written down somewhere around Syria and Egypt in the tenth century, The Arabian Nights have been translated and adapted numerous times over the last millennium. Scheherezade’s predicament frames the storytelling that begins when The King walks in on his wife passionately embracing another man. To be certain he will never be betrayed again, the King marries a new woman every night and kills her the next morning. When it is Scheherezade’s turn, she devises a clever plan to save herself and the other girls. Each night, she tells the King a story, a series of magical tales, stopping at the critical moment of the story. The King must wait to learn the resolution, thus sparing the gifted storyteller to weave the tales another day. But she must keep the king interested, or she will forfeit her life. Always on the edge of danger, Scheherezade unfolds her stories, each more wondrous than the last, with action and adventure, humor, and sometimes even a touch of naughty. Some adult themes.
“We encounter a world that is both foreign and recognizable at the same time…This unfamiliar familiarity gives us the gift of perspective and reminds us that we are a part of something much larger than ourselves. We are citizens of the world and participants in history, inhabitants of an interconnected global community.” Alex Rosenthal, Berkeley Repertory Theatre
Tickets are available at Ticket Central in Talley Student Center, online at http://www.ncsu.edu/arts or telephone 919-515-1100
BUY TICKETS NOW (additional fee may apply for online purchases)
Thank you to all who turned out for auditions! We are pleased to have so many interested students for University Theatre productions.
Accepting a role in this show is a commitment to be at all rehearsals and performances. Be sure to check the rehearsal calendar! Please contact your stage manager, Kimberlin Torain[ktorain@ncsu.edu], with ANY questions. TO ACCEPT YOUR ROLE IN THE SHOW, PLEASE CLICK ON THE LINK NEXT TO YOUR NAME AND ROLE AND FILL OUT THE FORM ATTACHED WITH YOUR CONTACT AND BIO INFORMATION. THIS IS THE INFORMATION THAT WILL GO IN THE PLAYBILL FOR THE SHOW. THANKS.
Actor |
Roles (all also play ensemble) |
|
Allison Hedges |
Scheherezade; Aziz’s Mother |
|
Leanna Hall |
Dunyazade; Dancing Girl and Fool; Jester’s Wife; Azizah; Little Foot and Second Genie |
|
Destiny McNeill |
Perfect Love; Other Woman; Harun’s First Girl, Tortoise, and Little Girl; Woman by the River |
|
Erica Abed |
Slave Girl; Girl in the Garden; Sleeper; Woman by the River |
|
Ifyeani Welson |
Dancing Girl and Fool; Green Grocer; Mother, Experienced Woman, and First Sister-in-Law; First Woman by the River |
|
Katisha Sargeant |
Dancing Girl; Woman; Sympathy the Learned; Harun’s Second Girl; Experienced Woman, Little Girl, and Second Sister-in-Law |
|
Diana Quetti |
Dancing Girl and Fool, Bride, Ala al-din abu Shamat |
|
Wah Tran (Nick) |
Shahryar; Mock Khalifah/Aziz |
|
Stephen Dozier |
Harun al-Rashid; Sheikh al-Islam; both Kings |
Link to form |
Matthew Hogan |
Wazir; Fool; Pastrycook, Old Boatman; Friend, Desert Thief, and Farmer |
Link to form |
Brian Allison |
Camel; Figure and Fool; Kadi; Friend. Desert Thief, Farmer, and Genie; Donkey; |
|
Nicholas Peaks |
Prince of Fools; Jester; Sympathy’s Brother; Hard Head and First Genie |
|
Kunal Vasudev |
Jafar; Fool; Man in the Dream, Farmer, friends, and Desert Thief; Sheikh al-Fadl |
|
Mohammad Nabil Najeeb |
Fool and Shop Assistant; Third Stage; Bilateral; Masrur |
|
Zachary Francis |
Chief of Keys; Chief of Police; Abu al-Hasan; First Sage; Prince; Ishak of Mosul |
|
Nathaniel Conti |
Madman; The Poor Man; Butcher; Second Sage; Sleeper |


